The Moviegoer...Walker Percy Essays - Kingdom Hearts Characters

The Moviegoer...Walker Percy 1-28-00 Moviegoer book report In Walker Percy's story The Moviegoer, Binx Bolling, a Stockbroker on the verge of turning thirty is on a quest. Set in 1960 New Orleans during Mardi Gras Binx, an upper class southern gentleman sets out to find out about himself. Answer questions that have tugged at his soul. Questions about despair, everydayness, religion and romance. Binx is stuck in a quagmire. He must break out from this cloak of ennui and find the essence of being. But how? How can people, a person with a soul and a world at their fingertips be so inept at finding what makes them alive. Can it be found in religion or on the arm of a southern beauty? Maybe it can be found in the surrealism of a movie, or the excitement of making money. What if an answer is found? Will it frighten a person back to their everydayness? Some of these question are sound, others may be just thoughts in the authors mind, but they are questions that Binx must find out about. The following will talk about the idea of despair & everydayness and if others think about searching the way Binx Bol ling does. Binx is deathly afraid of being pulled into everydayness. That is to say that he does not want to fall into the trap of a daily, weekly of life long rut. He does not want to settle for just living just an existence. He wants to be noticed, to have the ability of excitement on a daily routine. To work hard and start a family and fight for what he thinks is a grand life. Only to realize years later that such a routine was established you never left from where you started. To Binx that is death. Not physically dead, but soulfully dead. But what is so wrong with everydayness. One could argue that everydayness could be a positive influence. Millions of people for hundreds of years have lived a life of everydayness. Has society stopped? Have people withered into tiny robots fueled by repetition? People need repetition to keep them going. Everydayness gets us up in the morning. It puts us in the game of life. It causes others to rely on one another. If you are to change a habit, chaos can f ollow. The man who changes his routine of being husband and father can cause such damage to his family and others that it's almost unthinkable. Maybe these people are the ones on to something. And the people rooting about trying to avoid everydayness are the ones that are lost. They are the ones stuck in everydayness, stuck in despair. Binx tries with all his might to avoid the pit falls of everydayness and despair. He finds comfort on the arm of various women and in the movies that he frequents. Maybe he is on to something here. If you change the company you are with on a regular basis, you can avoid the everydayness that has taken the life of others around him. Different smiles that are all the same, backsides that melt together: Marcia, Linda and now Sharon. Talk about repetition. That's a living hell and then to justify it all through a movie. To believe that a celluloid hero can mimic real life is just unreal. Happiness can be written into the script. Everydayness is an overlooked flash in the background. The director yells cut if things go amiss. Ideals can be manipulated to fit the screen. Binx puts more effort into avoiding everydayness than it takes to live with it He is avoiding something that so many of us long to have. Is Binx that far into his own despair that he is missing the whole idea of finding ev erydayness? Many people search for that perfect person just to spend a lifetime of everydayness with. Binx lives through the movies he sees. He finds a realness there, a realness that is lacking in real life. He talks about certification. With that he feels that the places where we live and visit are not real unless those locations are depicted in the movies. It's not just movies where he finds this certification. For example when both

Free Essays on Risk Assesment Analysis

INTRODUCTION The Statement of the Problem The purpose of this research was to evaluate the effectiveness of the Army’s â€Å"Risk Management† program as it pertains to accident prevention at 2nd Aviation. A risk exposure is the possibility of loss or injury because of some peril or cause of a loss. Management is the process of planning, organizing, staffing, leading, and controlling human and physical resources in order to achieve the organization’s objectives and goals. Therefore, risk management, by definition, is the management process of planning, organizing, staffing, leading, and controlling an organization’s resources to minimize the possibility of loss or injury from various sources. Simply stated, risk management is the process of identifying and controlling an organization’s losses. The Sub-problems The first sub-problem was to determine what the current risk management program at 2nd Aviation consists of. The second sub-problem was to validate and verify if all personnel had received risk management training. The third sub-problem was to determine the effectiveness of the training. The Hypothesis The first hypothesis was that all personnel on 2nd Aviation had received adequate Risk Management training. The second hypothesis was that personnel were willing participants of the Risk Management process. The third hypothesis was that the Risk Management process was effecting a reduction in the accident rate at 2nd Aviation. Importance of the Study Every organization, no matter how large or small, inherently possesses exposure to risk. A comprehensive risk management program requires a significant commitment of time and resources by the organization. The â€Å"costs† of this commitment can be fully mitigated however, by the direct results of the risk management program. However, no matter how much commitment an organization may have in implementing a comprehensive risk management program it does little g... Free Essays on Risk Assesment Analysis Free Essays on Risk Assesment Analysis INTRODUCTION The Statement of the Problem The purpose of this research was to evaluate the effectiveness of the Army’s â€Å"Risk Management† program as it pertains to accident prevention at 2nd Aviation. A risk exposure is the possibility of loss or injury because of some peril or cause of a loss. Management is the process of planning, organizing, staffing, leading, and controlling human and physical resources in order to achieve the organization’s objectives and goals. Therefore, risk management, by definition, is the management process of planning, organizing, staffing, leading, and controlling an organization’s resources to minimize the possibility of loss or injury from various sources. Simply stated, risk management is the process of identifying and controlling an organization’s losses. The Sub-problems The first sub-problem was to determine what the current risk management program at 2nd Aviation consists of. The second sub-problem was to validate and verify if all personnel had received risk management training. The third sub-problem was to determine the effectiveness of the training. The Hypothesis The first hypothesis was that all personnel on 2nd Aviation had received adequate Risk Management training. The second hypothesis was that personnel were willing participants of the Risk Management process. The third hypothesis was that the Risk Management process was effecting a reduction in the accident rate at 2nd Aviation. Importance of the Study Every organization, no matter how large or small, inherently possesses exposure to risk. A comprehensive risk management program requires a significant commitment of time and resources by the organization. The â€Å"costs† of this commitment can be fully mitigated however, by the direct results of the risk management program. However, no matter how much commitment an organization may have in implementing a comprehensive risk management program it does little g...

How have theoretical orientations in cultural criticism evolved and Essay

How have theoretical orientations in cultural criticism evolved and changed since 1900 Outline challenges facing arts criti - Essay Example In addition, the role of artist is explored and their significance and contribution to the cultural space can be critically analyzed, at some point every consumer of art engages in criticism whether formally or informally (James 1994, p.13). Through criticism, artist can learn from their mistakes and get honest if blunt feedback from critics which will inspire them to improve their output thus generally building up the quality of art produced in the long run. Art criticism has been defined in a variety of ways, Arthur Danto, defines it as the process of analyzing the structure significance and problems in a given work of art by making external and internal comparison to come up with an evaluation of the art. The primary intention of the endeavour has been in the past, and remains to provide rational grounds for the appreciation of artistic works. The exact origin of formal artistic criticism as a genre can be traced back to the 18th century and the first individual to acquire a reput ation of a critic of art was La Font de Saint-Yenne, is renowned for his writing about the salon of 1737 and 47. In the late 19th century, of the artistic expressionism and critics occurred in these salons which were societies made up of artists an critics, many of this were centred around Paris in France as the city acted as one of the centres of art and culture (Eagleton 1984, p.97). However, these salons kept multiplying owing to the dissenting views of different artist and in the dawn of the 19th century a group of young painters and sculptor took over the institution and founded the salon of d’Autumne. They were reacting against what they deemed to be the too conservative approaches of the previous salons and from this salon the salon of modern art emerged. Parisian and other galleries all over the world begun to show Avant grade work and new art dealers such as Daniel Henry Kahnweiler emerged presenting contemporary artists such as Pablo Picasso and Georges Braque as we ll as several other young artists of the time. The early 20th century was an inaugural period where art and culture critics took on retrospective assumptions and generalization of the social cultural evolution; many of the subjective theories of the past were rejected. Throughput the 20th century, critics seem to constantly be in a quest for the relationships between the art created and that which it represents (Lassalle, 1993, p. 1999). One of the preeminent anthropologists of this period was Franz Boaz and some of his students such as Ruth Benedict and Margaret Mead who later became some of the leaders of the anthropological rejection of social and classical evolution. Contemporary critics at the time eschewed the previous discriminative and subjective assumptions many of which were based on a distinction between primitive and civilized. Many of the artist works produced from non-western societies especially in Africa was previously not seen as genuine art since the inhabitants we re primitive and uncivilized people. These critics were cognizant of the fact that cultural and artistic progression terminated at a stage of civilization that was not unlike what was happening in modern Europe. Nevertheless, they also noted that the theory presumed communities are distinct entities and did